grotesque Archives -
Magnetic Pro typeface
May 14, 2017 | fontmatters
Download Magnetic Pro typeface
Magnetic Pro typeface is inspired by typewriter characters with a mechanical aspect. Equipped for professional typography, this font family has many OpenType features such as small caps, case sensitive forms, tabular and old style figures, pro … Read More
Cera Round Pro font family
April 3, 2017 | fontmatters
Download Cera Round Pro font
Cera Round Pro font family is the latest addition to the large pan-European Cera collection. It also includes the popular Cera, the stenciled Cera Stencil and the hand written Cera Brush. As its companions Cera … Read More
Kardinal typeface
March 1, 2017 | fontmatters
Download Kardinal typeface
Kardinal typeface is a sans serif humanistic font family. The family has 32 weights, ranging from Thin to Black with extra drawn italics and small caps versions. The Kardinal type family is ideally suites for small text, … Read More
Quasimoda font
October 24, 2016 | fontmatters
Download Quasimoda font
Quasimoda is the “almost fashionable” sans serif family with 11 weights and matching italics. It combines fashionable geometric forms with old-fashioned classical proportions. Berlin-base Botio Nikoltchev (Lettersoup) designed Quasimoda so that the lighter weights give off a … Read More
Interval Next typeface
September 19, 2016 | fontmatters
Download Interval Next typeface
Interval Next typeface is the latest release of the French designer Olivier Gourvat. It follows the path of the hugely successful display sans serif Interval Sans Pro, published back in 2011. It is obvious that Interval … Read More
Mestre font by Tipotecture – a perfect choice for longer texts
May 9, 2016 | fontmatters
Download Mestre font
Mestre is the second font family released by the Spanish designer Pedro Arilla after his free debut – Valentina. It is inspired by German and Dutch geometric sans-serifs and is a very fine combination of a humanist … Read More
Quiroh font – a combination between functionality and emotion
March 28, 2016 | fontmatters
Download Quiroh font
Quiroh is a very interesting grotesque sans-serif typeface that derives its inspiration from the great industrial achievements of the 19th century and more precisely, from the manner they concurred with the pronounced romanticism of the period. It … Read More
Kakadu typeface – a very reliable sans serif by Ludwig Übele
March 16, 2016 | fontmatters
Download Kakadu typeface
Kakadu is a modern grotesque sans serif font family that is characterized mostly by its square letterforms, angular curves and large x-height. Those make the letters quite open and clean, which accounts for great legibility. This, in … Read More
Zega Text
February 18, 2016 | fontmatters
Download Zega Text font
Zega Text is a modern sans serif font family that is designed by the Brazilian graphic designer Isac Rodrigues. It has its roots deeply embedded in the craft of the letterpress printing – an undying source … Read More
Godfrey by Ludwig Type
November 21, 2015 | fontmatters
Download Godfrey font
Godfrey is a modern font family that is the latest release of the German designer Ludwig Übele. Once again he presents us with a perfect sans serif grotesque typeface that offers excellent legibility and could be used … Read More
Award winning fonts
PF Adamant Sans Pro
October 26, 2015 | fontmatters
Download PF Adamant Sans Pro font
PF Adamant Sans Pro is a modern sans serif font family that is the successor of the very successful PF Adamant Pro – award winner at the Granshan Awards 2014. This time Vedran Eraković … Read More
Blend font family by Typesenses – the freedom of diversity
September 9, 2015 | fontmatters
Download Blend font
Blend is a modern font family, or indeed more like font collection that includes fonts closely related to each other. As any blend like in culture or even cuisine it unites its individual members in a fine … Read More
Trasandina font family – as flexible as it gets
June 15, 2015 | fontmatters
Download Trasandina font
Trasandina is a modern sans-serif font family with unique appearance. If we assume that there are two extremities in typography – the humanist and the geometric ones, then we will find Trasandina font exactly in the middle. … Read More